Monthly Archives: October 2011

Collateral Damage

The Wire has been running an interesting series of columns called Collateral Damage in recent months — mostly in response to a provocative piece written by Kenneth Goldsmith celebrating the apparent triumph of quantity over quality in downloading cultures of … Continue reading

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Catherine Christer Hennix Update

I wrote a profile of minimalist composer, philosopher and blues musician Catherine Christer Hennix for The Wire last year to coincide with the release of her masterwork from the 1970s, The Electric Harpsichord.  Hennix lives in Berlin these days, and … Continue reading

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