Author Archives: marcus3001

Low End Theories

 The latest issue of The Wire has an excellent section on bass in contemporary music and theory, which includes two pieces from me, one on UK soundsystem Aba-Shanti and their heavy vibrations, the other on the deepest bass sound in … Continue reading

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Sound Workshop at Cornell, Friday April 20th!

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2011 Annual Report on Drugs and Creativity

Creative Capital/The Warhol Foundation just posted the audio of my keynote talk at the their Arts Writers convening in Philadelphia last August.  They asked me to speak about drugs and creativity, and this gave me an opportunity to revisit the … Continue reading

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Postcolonial Piracy Conference, Berlin, Dec. 2 – 4, 2011

I’ll be giving a paper at a very interesting looking conference on postcolonial piracy, hosted by the University of Potsdam in Berlin, this coming weekend.  My paper is on depropriation, and looks at a variety of examples of depropriation including … Continue reading

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Collateral Damage

The Wire has been running an interesting series of columns called Collateral Damage in recent months — mostly in response to a provocative piece written by Kenneth Goldsmith celebrating the apparent triumph of quantity over quality in downloading cultures of … Continue reading

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Catherine Christer Hennix Update

I wrote a profile of minimalist composer, philosopher and blues musician Catherine Christer Hennix for The Wire last year to coincide with the release of her masterwork from the 1970s, The Electric Harpsichord.  Hennix lives in Berlin these days, and … Continue reading

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Interview with Kenneth Goldsmith in Bomb magazine

I have an in depth interview with conceptual poet and UbuWeb founder Kenneth Goldsmith in the latest issue of Bomb magazine. You can listen to audio from it and read an excerpt here.   Here’s the intro to the piece for … Continue reading

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Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law

I have an essay in a new book from Duke UP, Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law, edited by intellectual property theorist and prankster Kembrew McLeod and dada scholar Rudi Kuenzli.  The essay, “Digital Mana: On … Continue reading

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On the Copies in Kiarostami’s Certified Copy

A number of people have asked me what I thought of Abbas Kiarostami’s new film Certified Copy, which is about an English writer, James Miller, who’s just published a book arguing that the distinction between original and copy is meaningless, … Continue reading

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A Few More Reviews of In Praise of Copying

A busy time of the year for me, but I have a backlog of posts re. copying that I’m working on. In the meantime, here are few interesting recent reviews of In Praise of Copying.  First off Amy Ione in … Continue reading

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