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Tag Archives: George Quasha
Catherine Christer Hennix, Drones and the Changing Same
I’ve spent the last few weeks finishing a profile of Swedish mathematician/visual artist/composer Catherine Christer Hennix for The Wire, in honor of the recent release of her 35 year old sustained tone masterpiece The Electric Harpsichord. The conversation spiraled off … Continue reading →
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Tagged Alain Badiou, Alexander Esenin-Volpin, Buddhism, Catherine Christer Hennix, Charles Stein, Drone, George Quasha, Hallucinogenic Ecstatic Sound Experience, Henry Flynt, In Praise of Copying, Jacques Derrida, Marxism, The Chora(s)san Time-Court Mirage, The Electric Harpsichord, The Wire
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In Praise of Copying 