Tag Archives: The Mark of a Masterpiece

Counterfeiting and Authentication in the Age of Forensics

Fascinating article in this week’s New Yorker by David Grann entitled “The Mark of a Masterpiece”. It concerns shifts in the ways in which paintings are authenticated or revealed to be forgeries — in particular,  the use of forensic techniques … Continue reading

Posted in Uncategorized | Tagged , , , , , | Leave a comment